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Award-winning writer and actor Rob Madge talks to us about their upcoming adaptation of Brandon Thomas’ Charley’s Aunt, coming to the Watermill Theatre this autumn.
Can you tell the Watermill audience a bit about yourself?
I’m a playwright, actor and comedian who thrives off creating theatre that seeks to compel its audience to see the world through a more joyful lens, be that through laughter, tears or sheer queer rage. Theatre that moves us to make a positive change is something I am deeply passionate about and I believe comedy is one of the greatest gateways to achieve that.
Why did you want to get involved with this production of Charley’s Aunt at the Watermill?
It’s a brilliant piece in and of itself. It is hysterically funny, intensely sharp and bitingly witty. What’s not to love? Brandon Thomas’ original genius paired with my desire to shine a light on how its themes might still be relevant today is, ultimately, what attracted me to join in the fun.
What are you hoping your adaptation of Charley’s Aunt will explore, compared to Brandon Thomas’ original?
The notion of a bloke disguising himself as a woman to deceive has been a common trope in comedy. I wanted to go one step further and make this not simply funny but, fundamentally, joyful. Indeed, this Charley’s Aunt is going to be an unabashed celebration of gender expression (whilst still being very, very funny). Our men will have more innocence, our women will have more strength and those in between will have more pride.
What can audiences expect from this production?
A laugh-a-minute romp with a hell of a lot of heart. If you know the play, I can promise everything you loved from the original, with an added sprinkle of queer joy! It’s going to be a party.
If you had to impersonate someone for a day, who would you pick?
Dame Julie Andrews. Universally beloved. Can do no wrong. Makes lederhosen out of curtains.
You’re obviously playing the Emcee in Cabaret at the moment, which is one of your dream roles – what other roles are at the top of that dream list?
I honestly feel I’ve peaked. Nothing will compare. Therefore, I quit. I mean, what’s a step up from Emcee? Hamlet? Pass me a skull, I’m ready.
